I have just finished running a Creative Writing workshop as part of the LSE’s Literature Festival 2013. In it I wanted to talk about and explore ways of using Twitter creatively. Briefly, I went through four ways of doing so:
1) the standalone one-Tweet narrative, as seen on nanoism.net. This, we found, was hard.
2) we looked at iterative tweets: those that set up parameters and worked within them, in a non-narrative way. I gave as examples the drone stories of Teju Cole, New Proverbs of Hell by George Szirtes, and some dialogue between W and Lars by Lars Iyer – and clicking on their names here will link to a few examples of each I collected via Storify.
3) we looked at narrative stories on Twitter, Jennifer Egan’s Black Box, Rick Moody’s Some Contemporary Characters, Andrew Fitzgerald’s March story on Medium and Litro’s recent #litrostory – which I contributed to, and may have inadvertently damaged – honestly, Litro people, I thought I was bringing the story back to its main narrative. (I also talked about my own Twitter story, J, which you can read more about here, and follow here.)
In fact, the #litrostory – as i saw it – was instructive, because it showed the pitfalls of open sourcing a project like this. People don’t read up what’s gone before, they push it in odd directions, they might even change tense or gender. I wanted to do something a bit like this, but a bit more curated, so as the final exercise we wrote a collaborative piece of non-narrative fiction, a character study, really, called Carly. This was number four. Continue reading